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Russia has been put through that paces with ns dust having now settled top top a captivating FIFA Confederations Cup final bolzen Chile und Germany at die Saint Petersburg stadium on 2 July, 2017. The prominente on die pitch were plentiful, but it was behind ns scenes where the international broadcasting world was eagerly deploying ns very latest technology to ensure ns best possible TV viewing experience weil das football fans around the world.

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Matches to be beamed into living rooms an more 보다 180 territories, as well as notching hoch over 400 million views on FIFA’s digital platforms; FIFA.com, YouTube, Facebook, Instagram, Twitter and vKontakte.

While it could mean the FIFA, that Media rights Licensees (MRLs) und the appointed host broadcast manufacturing provider, HBS, will jetzt be able kommen sie put your feet up, it will only be momentarily as the countdown to the main event – the 2018 FIFA world Cup Russia – ist well und truly underway.

With die tournament kicking off an Moscow’s Luzhniki stadion on 14 June next year there ist really no time kommen sie lose, as all associated stakeholders will bring together die lessons learned from die FCC und start placing them into action. With a lang list des major developments introduced belastung month an Russia, specific a single production relying greatly on 1080p, UHD, HDR, und immersive sound, there is still plenty of work kommen sie be done.

“The tournament was a great success and, while ich know there might be a tendency kommen sie think of the FIFA Confederations Cup 2017 as a prüfung event zum the FIFA world Cup, it’s in reality a huge event in its own right,” claims Florin Mitu, Head of Host transfer Production weist FIFA.

“The world was watching und we had actually 84 legal rights holders, 90 non-rights holders, much more than 2,000 accredited TV representatives, und a organize broadcast staff des more 보다 800 onsite. These numbers speak zum themselves and it’s there is no doubt one des our biggest tournament operations.”

The FIFA Confederations Cup take it place throughout four stadiums with ns Zenit Arena bei St. Petersburg acting together host kommen sie the international Broadcast Coordination zentral (IBCC), and serving as prüfen bed zum the porta-cabins, technological infrastructure und workflows which die FIFA host broadcast production team will speak to home hinweisen each von the 12 stadia weil das next year’s welt Cup. ARD/ZDF, fuchs Sports, Telemundo, NHK, TV Globo Brazil, Megavision Chile, und DirecTV LATAM to be onsite at the IBCC share a gesamt space of approximately 900 square meters.

Driving the industry trend in production formats

“There are plenty of novelties consisting of this gift the first FIFA tournament kommen sie be covered an ‘Progressive’ throughout all venues,” states Mitu. “In Saint Petersburg, we tested the mischung UHD/HDR/1080p setup that wollen be expanded throughout all 64 matches von the FIFA world Cup next year. Zum the very first time, a einzel production chain will deliver multiple layouts (UHD, 1080p und 1080i) weist a major football tournament, dafür this zu sein cutting-edge! die use von progressive und HDR möchte guarantee improved bild quality for all rights holders, regardless von their distribution format.”

In recent months, there has been boosting industry interest in 1080p HDR as ns primary production format und the innovations made by FIFA und HBS will no doubt additional boost ns trend towards both 1080p HDR and UHD HDR.

As in example, ns core production des the FIFA Confederations Cup last made use of five UHD HDR cameras und 15 HD HDR cameras (all using the Slog-3 gamma curve) as well as HD SDR cameras. Moreover, die HDRC-4000 production converter was put zu great use zu help convert HD SDR and HD HDR signals right into UHD HDR signal while the FIFA maximal server operated bei 1080p mode. “We were very pleased und can clearly seen the benefits des HDR,” says jörg Sander, HBS chief technological officer.

An amazing change in the production des the matches was the decision to replace ns HDC-4300 on camera one position, v a F55 camera equipped through a Cabrio lens – from the beginning of the tournament. Die latter combination was used zum the Virtual reality (VR) manufacturing and bei analysis following die opening enhance showed that die F55/Cabrio system created much less noisy images than ns HDC-4300 camera. Considering camera one’s position didn’t need a zoom lens, it was possible to make the move without compromising ns quality von production.

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To help ensure ns HDR manufacturing really shone, there was a dedicated colour grader make sure die camera shaders were working through SDR, and having the iris at die correct setting dafür that the 14 stops von high dynamic selection did notfall result bei blown-out images. FIFA’s plan is to have two colour graders working at the IBC following summer.

“The cameras carry out one UHD output and another punkt 1080p und then ns vision mixer is ausgezeichnet enough to handle all von the UHD and 1080p signals kommen sie output various formats. Next year at ns IBC bei Moscow ns MRLs will be able kommen sie get whatever format they want while the satellite distribution will be done hinweisen 1080i, as that is what many rights holders want. However, those at ns IBC kann sein take either the UHD or 1080p feeds und send it back in whatever style they want,” Mitu adds.

Another large move is that the production will no much longer be 4:3 safe. Unfortunately, this wollen require some MRLs kommen sie letterbox your coverage but, on die positive side, it will better meet ns needs of those who want graphics and other elements kommen sie take advantage des the complete 16:9 canvas.

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The FIFA Confederations Cup manufacturing setup so saw the deployment des a FIFA max Server v on-and-off access, as well as a newly arisen browsing system – the FIFA content Interface. “This neu interface boosts navigation und enables MRLs kommen sie easily access content und generate update on broadcast information, booking documentation also as ns available editorial content,” states Mitu.

Audio was deshalb in line zum some amazing improvements, as immersive audio möchte play a huge part in the 2018 FIFA welt Cup next year. In automated microphone tracking system was put kommen sie use, in order to opening ns door kommen sie a new way of handling results mixing. The system ties together player und ball tracking säule with bei audio mixer, so that microphone recording levels tun können rise and fall automatically depending on their proximity to ns ball und the players.

Another prime which keeps evolving is infotainment or in-stadium video production. At die FIFA Confederations Cup in Russia a centralised manufacturing philosophy was tested, through a view to giant screen content being potentially created from die IBC next year.

Additional attributes tested included: aerial coverage, which wollen be readily available during ns pre-match, half-time, und post-match coverage of every match next year; augmented fact graphics zum player line-ups; und VR, which gained a lot of attention from die rights holders.

One des the many talked about features des the FIFA Confederations Cup, however, was the live trial von Video Assistant Referees (VAR). The technology kann be applied in relation kommen sie four types von potentially match-changing decision or incidents: goals, penalties, straight red cards, and mistaken identity. “We are working closely in addition to our partner from die FIFA Football technology Innovation department and the FIFA Refereeing department kommen sie fine-tune die on-air coverage von the VAR moments,” says Mitu.

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FIFA und HBS room committed zu pushing ns envelope and rolling out die most innovative and advanced technology an the world des sports broadcasting. With die foundations jetzt set, ns 2018 FIFA welt Cup Russia wollen no doubt be a spectacular event not only zum football fans around die world, but zum those involved in operations and beyond.